Filippo joins Collegium Vocale Salzburg and L’Orfeo Barockorchester on tour as a step-out soloist in Bach’s St Matthew Passion, conducted by Michael Schneider.

Filippo joins Collegium Vocale Salzburg and L’Orfeo Barockorchester on tour as a step-out soloist in Bach’s St Matthew Passion, conducted by Michael Schneider.

Filippo will join the Konzertchor Darmstadt and the Darmstädter Hofkapelle as a soloist in J. S. Bach’s St Matthew Passion, singing the bass arias and the role of Pilate, conducted by Wolfgang Seeliger.

An immersive interdisciplinary performance, 3in1 brings together the Parnassus Ensemble and visual artist Jérémie Queyras, combining settings of ‘Christ lag in Todesbanden’ by Pachelbel, Kuhnau and J. S. Bach with live painting on three large canvases and contemporary texts to create a vivid dialogue between sound, image and word.

More info soon…

Filippo joins Slovakian group Le Nuove Musiche once more as a ensemble member/step-out soloist. The programme features sacred vocal works by Johann Schimrack (Ján Šimrák the Elder) and Zacharias Zarevutius (Zachariáš Zarevúcky)—key figures of early Baroque music in Central Europe—alongside grand polychoral motets from Giovanni Gabrieli, drawn from his landmark Symphoniae sacrae (1615), representing the splendour of the Venetian tradition.

Programme:

Johann Schimrack (Ján Šimrák st.): Siehe, wie fein und lieblich ist´s / Nach dir Herr, verlanget mich

Zacharias Zarevutius (Zachariáš Zarevúcky): O Jesu mi dulcissime / Meine Seele erhebt den Herren / Der Tag der ist so freudenreich

Johann Schimrack (Ján Šimrák st.): Singet dem Herren ein neues Lied

Giovanni Gabrieli: Symphoniae sacrae, Liber secundus (1615): Jubilate Deo omnis terra / Quem vidistis pastores / Surrexit Christus et Dominus de caelo intonuit / In ecclesiis benedicite Domino alleluia

Johann Schimrack (Ján Šimrák st.): Ach Herr, wie sind meiner Feinde so viel

Giovanni Gabrieli: Symphoniae sacrae, Liber secundus (1615): Suscipe clementissime Deus / Misericordia tua, Domine / Buccinate in Neomenia tuba

Source: Gesamtkunstwerk.eu

Filippo joins Slovakian group Le Nuove Musiche once more as a ensemble member/step-out soloist. The programme features sacred vocal works by Johann Schimrack (Ján Šimrák the Elder) and Zacharias Zarevutius (Zachariáš Zarevúcky)—key figures of early Baroque music in Central Europe—alongside grand polychoral motets from Giovanni Gabrieli, drawn from his landmark Symphoniae sacrae (1615), representing the splendour of the Venetian tradition.

Programme:

Johann Schimrack (Ján Šimrák st.): Siehe, wie fein und lieblich ist´s / Nach dir Herr, verlanget mich

Zacharias Zarevutius (Zachariáš Zarevúcky): O Jesu mi dulcissime / Meine Seele erhebt den Herren / Der Tag der ist so freudenreich

Johann Schimrack (Ján Šimrák st.): Singet dem Herren ein neues Lied

Giovanni Gabrieli: Symphoniae sacrae, Liber secundus (1615): Jubilate Deo omnis terra / Quem vidistis pastores / Surrexit Christus et Dominus de caelo intonuit / In ecclesiis benedicite Domino alleluia

Johann Schimrack (Ján Šimrák st.): Ach Herr, wie sind meiner Feinde so viel

Giovanni Gabrieli: Symphoniae sacrae, Liber secundus (1615): Suscipe clementissime Deus / Misericordia tua, Domine / Buccinate in Neomenia tuba

Source: Gesamtkunstwerk.eu

Filippo joins Slovakian group Le Nuove Musiche once more as a ensemble member/step-out soloist. The programme features sacred vocal works by Johann Schimrack (Ján Šimrák the Elder) and Zacharias Zarevutius (Zachariáš Zarevúcky)—key figures of early Baroque music in Central Europe—alongside grand polychoral motets from Giovanni Gabrieli, drawn from his landmark Symphoniae sacrae (1615), representing the splendour of the Venetian tradition.

Programme:

Johann Schimrack (Ján Šimrák st.): Siehe, wie fein und lieblich ist´s / Nach dir Herr, verlanget mich

Zacharias Zarevutius (Zachariáš Zarevúcky): O Jesu mi dulcissime / Meine Seele erhebt den Herren / Der Tag der ist so freudenreich

Johann Schimrack (Ján Šimrák st.): Singet dem Herren ein neues Lied

Giovanni Gabrieli: Symphoniae sacrae, Liber secundus (1615): Jubilate Deo omnis terra / Quem vidistis pastores / Surrexit Christus et Dominus de caelo intonuit / In ecclesiis benedicite Domino alleluia

Johann Schimrack (Ján Šimrák st.): Ach Herr, wie sind meiner Feinde so viel

Giovanni Gabrieli: Symphoniae sacrae, Liber secundus (1615): Suscipe clementissime Deus / Misericordia tua, Domine / Buccinate in Neomenia tuba

Source: Gesamtkunstwerk.eu

A piece of operatic history comes alive with La liberazione di Ruggiero, the first known opera written by a female composer. Premiered in 1625, it’s a vibrant tale of sorcery, temptation and liberation. Ruggiero, a hero with a wandering heart, falls under Alcina’s spell, lost in her glittering illusions. But help arrives through Melissa, who works on behalf of Bradamante, the warrior he truly loves.

With its enchanted creatures, clever humours and sharp storytelling, the opera is both playful and powerful. The Festival honours this remarkable work for what it is: a trailblazing creation that brims with imagination, wit and early Baroque brilliance.

Sung in Italian, with English surtitles.

CAST & CREATIVE TEAM

Alcina Camilla Seale
Ruggiero Jon Stainsby
Melissa Phoebe Rayner
Nettuno Filippo Turkheimer
Nunzia Harriet Burns
Sirena Betty Makharinsky
Una Damigella Aina Miyagi Magnell
Pastore/Astolfo Tom Kelly

The Vache Baroque Band led by Mayah Kadish

Music Director Jonathan Darbourne
Director Eloise Lally
Designer Zahra Mansouri
Choreographer Katie Kelly
Lighting Designer Alex Musgrave
Stage Manager Bekah Tunnell
Italian Coach Valeria Perboni

A piece of operatic history comes alive with La liberazione di Ruggiero, the first known opera written by a female composer. Premiered in 1625, it’s a vibrant tale of sorcery, temptation and liberation. Ruggiero, a hero with a wandering heart, falls under Alcina’s spell, lost in her glittering illusions. But help arrives through Melissa, who works on behalf of Bradamante, the warrior he truly loves.

With its enchanted creatures, clever humours and sharp storytelling, the opera is both playful and powerful. The Festival honours this remarkable work for what it is: a trailblazing creation that brims with imagination, wit and early Baroque brilliance.

Sung in Italian, with English surtitles.

CAST & CREATIVE TEAM

Alcina Camilla Seale
Ruggiero Jon Stainsby
Melissa Phoebe Rayner
Nettuno Filippo Turkheimer
Nunzia Harriet Burns
Sirena Betty Makharinsky
Una Damigella Aina Miyagi Magnell
Pastore/Astolfo Tom Kelly

The Vache Baroque Band led by Mayah Kadish

Music Director Jonathan Darbourne
Director Eloise Lally
Designer Zahra Mansouri
Choreographer Katie Kelly
Lighting Designer Alex Musgrave
Stage Manager Bekah Tunnell
Italian Coach Valeria Perboni

A piece of operatic history comes alive with La liberazione di Ruggiero, the first known opera written by a female composer. Premiered in 1625, it’s a vibrant tale of sorcery, temptation and liberation. Ruggiero, a hero with a wandering heart, falls under Alcina’s spell, lost in her glittering illusions. But help arrives through Melissa, who works on behalf of Bradamante, the warrior he truly loves.

With its enchanted creatures, clever humours and sharp storytelling, the opera is both playful and powerful. The Festival honours this remarkable work for what it is: a trailblazing creation that brims with imagination, wit and early Baroque brilliance.

Sung in Italian, with English surtitles.

CAST & CREATIVE TEAM

Alcina Camilla Seale
Ruggiero Jon Stainsby
Melissa Phoebe Rayner
Nettuno Filippo Turkheimer
Nunzia Harriet Burns
Sirena Betty Makharinsky
Una Damigella Aina Miyagi Magnell
Pastore/Astolfo Tom Kelly

The Vache Baroque Band led by Mayah Kadish

Music Director Jonathan Darbourne
Director Eloise Lally
Designer Zahra Mansouri
Choreographer Katie Kelly
Lighting Designer Alex Musgrave
Stage Manager Bekah Tunnell
Italian Coach Valeria Perboni

A piece of operatic history comes alive with La liberazione di Ruggiero, the first known opera written by a female composer. Premiered in 1625, it’s a vibrant tale of sorcery, temptation and liberation. Ruggiero, a hero with a wandering heart, falls under Alcina’s spell, lost in her glittering illusions. But help arrives through Melissa, who works on behalf of Bradamante, the warrior he truly loves.

With its enchanted creatures, clever humours and sharp storytelling, the opera is both playful and powerful. The Festival honours this remarkable work for what it is: a trailblazing creation that brims with imagination, wit and early Baroque brilliance.

Sung in Italian, with English surtitles.

CAST & CREATIVE TEAM

Alcina Camilla Seale
Ruggiero Jon Stainsby
Melissa Phoebe Rayner
Nettuno Filippo Turkheimer
Nunzia Harriet Burns
Sirena Betty Makharinsky
Una Damigella Aina Miyagi Magnell
Pastore/Astolfo Tom Kelly

The Vache Baroque Band led by Mayah Kadish

Music Director Jonathan Darbourne
Director Eloise Lally
Designer Zahra Mansouri
Choreographer Katie Kelly
Lighting Designer Alex Musgrave
Stage Manager Bekah Tunnell
Italian Coach Valeria Perboni

Italy recital tour with pianist Anastasia Kulikova, promoted by the Associazione Culturare Musicale ‘Euphonia’. Programme to feature R. Schumann’s Dichterliebe.

More info coming soon…

Italy recital tour with pianist Anastasia Kulikova, promoted by the Associazione Culturale Musicale ‘Euphonia’. Programme to feature R. Schumann’s Dichterliebe. 

More info coming soon…